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NEW: The Color Matching Guide eliminates the question, "What color did they use?" Set includes 36 pure artist's tube colors printed on individual cards with 144 tints and shades to help professional artists identify colors with greater ease and consistency.
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Cool: MATISSE DRY MEDIUMS. Yeah, some of the effects are achievable through acrylic mediums sold by various companies: but what if I don't want my glass beads in a gel medium? What if I want to use it with oil painting?
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Glass Beads in two different sizes. Far more useful for a variety of textures than glass bead gels.
Ferrous Powder is a water resistant dark grey magnetic coating. You experimenters will love it: I recently got it to repel all oxides on a painting to a non-achievable-otherwise effect. If you figure out how to get it to rust (a warning of how "not" to use it), let me know. I'm still trying to get it to do it.
Wollastonite can be used to create a superb textured surface for pastels, pencils and charcoal. Wollastonite produces a more uneven texture than other acrylic primers for pastels that we carry, making it perfect for harder pastels.
Yes, we carry several ACRYLIC PRIMERS FOR PASTELS. For those who like sanded papers without the work, we carry Sennelier and Kitty Wallis sanded papers. But for those who'd like to create their own--or draw or paint with pastel over an underpainting--we offer several acrylic options that open the doors to limitless multi-media possibilities:
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MATISSE Transparent Gesso is a bit grittier but better for colored pencils or hard pastels. It can be combined with any Matisse background color for limitless color options.
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